Dedalus by Chris McCabe
Parts of this book will remain with me, and pollute my reading of Hamlet and Ulysses, forever. I also add it to my personal library of Great Books About Dead Fathers.
Max Porter, Author of Grief is the Thing with Feathers
Chris McCabe playfully reclaims the inventive spirit of the founding text of Modernism; Ulysses. Tracing the same structure as the original, McCabe describes the events of the following day, 17th June 1904. Stephen Dedalus wakes up, hungover, with scores and debts to settle, unaware that Leopold Bloom is waking up in Eccles street with his own plans for him.
“Friday’s children would be fattening like seals across the sand, on their way to class. Black liquorice teeth. Loving and giving under the whalefeed of the clouds. He had to teach.”
Dedalus is shot through with cut and paste disruptions from the Digital Age. From ’80s Text Adventure gaming to Google maps and pop-ups. McCabe picks up the tradition of Laurence Sterne and B.S. Johnson, underpinning the paragraphs of his storytelling with concrete poetry.
This novel is haunted (by Hamlet). This novel has a subconscious. This novel has therapy. This novel gives right of reply to Joyce’s self-portrait and questions the foundations of narrative storytelling. This truly is a hotly anticipated moment in Fiction.
Order your PRESALE copy here, and it will arrive in all its gorgeousness (yellow translucent cover!) before Bloomsday:
BLOOMSDAY BOOK LAUNCH:
5pm – 7pm
Saturday 16th June 2018
Lock-keeper’s Cottage Graduate Centre
(nr. Mile End Lock)
Queen Mary University of London
Nearest Tube Mile End
Join us for a can of Forty Foot beer 😉 music, and an interactive reading : you choose which path we take as we dip into the book. You can turn up on the day, but email us (RSVP here) to be added to the guest list and receive updates.
Chris McCabe is the author of four poetry collections, most recently Speculatrix (Penned in the Margins). Pharmapoetica, with Maria Vlotides, was shortlisted for The Ted Hughes Award and his plays Shad Thames, Broken Wharf and Mudflats have been performed in Liverpool and London. His non-fiction series, searching for a great lost poet in one of London’s Magnificent Seven cemeteries, begins with In the Catacombs: a Summer Among the Dead Poets of West Norwood Cemetery (selected as an LRB Bookshop book of the year) and Cenotaph South: Mapping the Lost Poets of Nunhead Cemetery. He co-edited, with Victoria Bean, The New Concrete: Visual Poetry in the 21st Century (Hayward Publishing, 2015).