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Pre-order Claire Allen’s novel by 15th June and add your name to the back of the book!

Last night we launched the pre-sale for our next Historiographic Fiction on David Collard’s Leap in the Dark programme. Claire did a wonderful reading, then we got to ask her some questions about the characters, Alzheimer’s, the themes of creation and destruction, and the influence of William Golding. “If you read two novels about the raising of a cathedral…”

Leap to Unbound here to read an extract from the novel, and lend your support, and name, to a dazzling book.

G.F Smith

HFP have teamed up with G.F Smith, paper merchant to Virginia Woolf’s Hogarth Press, to celebrate small presses. All editions of the book will be covered with Gmund Urban, which uses “genuine pulverized cement” to recreate concrete’s subtle texture and sparkle. The Römerturm paper mill has created “tradition and dynamic modernism in one material.” Especially apt for a book that is set in a post-war housing estate: The Blackbird. It is a sculptural material, perfect for HFP’s hand-bindery.

Mr. Beethoven arrives today.

It takes irreverence to pay tribute to an iconoclast. Paul Griffiths’ invention, wit and skill have created the Beethoven 250 tribute. We could not be more proud of this book.

Travel to the United States in their infancy. Watch Boston society boil with anticipation as it produces Beethoven’s biblical oratorio. Feel the potential energy Griffiths weaves around this performance both the composer and the world would never hear.

Buy now: https://henninghamfamilypress.co.uk/books/mr-beethoven

Live Events

The launches of Mr. Beethoven by Paul Griffiths and The Blackbird by Claire Allen are postponed until Autumn 2020. Register your interest at david[at]henninghamfamilypress.co.uk

Buy Books

You can still use our online shop as normal. Orders are sent direct from NBN International, who are observing strict measures to keep staff and customers safe.

The Trade can still buy wholesale from orders[at]nbninternational.com

New Books

Our publishing schedule for 2020 remains unchanged.

Make your mark on Beethoven250 by subscribing to THE Beethoven book of 2020. Deadline 14th March.

Visit https://unbound.com/books/mr-beethoven to preview and pre-order Paul Griffiths’ amazing novel. A google form allows you to choose a name (yourself or even a friend or family member) to be printed in the back as a supporter of the project.

Mr. Beethoven by Paul Griffiths depicts what could have happened if the Composer has lived seven more years and visited the United States to fulfill a commission.

There are scores Beethoven never heard performed because of his deafness. There are also scores that were never heard because they were never written. The world renowned librettist Paul Griffiths has taken one such commission of 1823 as the starting point for a staggering Oulipean historical fiction. A biblical Oratorio for the United States.

Griffiths the librettist has written that missing text for Beethoven; a simple, beautiful setting that is genuinely sublime in that it deals in paradox and expanses of time and space. Griffiths the poet has rendered it with wit and depth of feeling. Griffiths the music critic has evoked the music itself, the music we can never hear. We read with envy.

A preview of the verses that form part of Mr. Beethoven is available at our stall at Conway Hall, as is the opportunity to pre-order

https://unbound/books/mr-beethoven

A fine art giclee print to represent each season of the year brings 60 Lovers To Make And Do into full colour.

Kickboxers and Art Collectors from our Kickstarter can select one of these. Newbies can email for details (£75 +vat).

Spring
Summer
Autumn
Winter

The peerless online publishing platform, Unbound, has invited us to hold our pre-sale for Mr. Beethoven, by Paul Griffiths, with them.

We’ll be pulling back the curtain on our studio with the most powerful publishing algorithms on the planet.

You can read an extract and buy all editions here: https://unbound.com/books/mr-beethoven

Paperback – £13 (FREE UK p&p)
Limited Edition hardback – £50 (£5 UK p&p)

Mr. Beethoven 

Internationally respected music historian Paul Griffiths (Chevalier dans l’Ordre des Arts et des Lettres, OBE) and music critic (The New Yorker, The New York Times) imagine a visit by Beethoven to the United States to write a Biblical oratorio.

Griffiths weaves in the historiography of his search for what Beethoven could have done, becoming an account of the fragility of historical sources.

The Composer comes to rely on two women, the widow Mrs. Hill and Thankful; whose Martha’s Vineyard sign-language conducts conversations with the Composer.

The composer brings his time, his temperament and his sense of democracy to us. But he can’t possibly fit in. The challenge of Beethoven 250 will be to retain a Beethoven who is among us but refuses to fit in. He must be a Beethoven who retains the ability to help us leave the normal world, not the Beethoven who assures that this is the way the world must be. – Mark Swed, LA Times

The New Concrete

The New Concrete

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Some of you will remember the delicious Clotted Sun loose leaf book we made with Chris McCabe. His recent editorial collaboration with Victoria Bean, The New Concrete (Hayward Publishing), has led to another similarly satisfying project with us; an edition of 15 deluxe solander boxes containing a copy of The New Concrete and five giclée prints by five instigators from the original Concrete Poetry movement.

Our Epson Pro 7890 inkjet technology and several digital remastering techniques made this a perfect expression of the anthology’s theme – the revitalising effect digital technology has had upon the idea of concrete poetry. The beautiful bespoke black boxes we made are in themselves an edition, as we lined them with a black foil debossing of ‘Paradise’, a print from our Unknown Soldier series which looms in the back of the box like a secret track. This accompanies our Grand Eagle print which is included in the anthology itself.

Victoria took the boxes to America recently where they were acquired for several illustrious collections. If you are interested in finding out more with a view to purchasing one you should contact Victoria directly. It’s a great opportunity to get both a landmark anthology and an exhibition in a box.

I love making solander boxes. There’s a moment when they become synergetically taut as the glue, cloth and board lock together. They are the pinnacle of my craft.

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The Maximum Wage Magazine is now available to buy!

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A 72-page A4 full-colour glossy magazine splashed on every page with photos from the live show and packed with brand new art and articles on earning a living.

Only £3.50 & FREE delivery within the UK.


Where Are You?



Performance combining hectic game-show silliness, satirical bite and economic critique – David Collard, The Times Literary Supplement

East London has become a prime example of the divide between the UK’s richest and poorest. It’s also where a group of artists are teaching people about income inequality. – Helen Amass, The Times Educational Supplement

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Gainful Unemployment

“The times I’ve felt most employed, society has deemed me unemployed.” Eddie Farrell

An Insider’s View of The City

Investment Manager turned activist Clive Menzies explains how the rich transfer wealth from all of us to the top 10%

The NHS: A Private Investigation

Artist Marion Macalpine reveals a new and unreported threat to hospital estates.

The Metabolic Economy

David and Ping collage texts* and imagine a resurrected R Buckminster Fuller crashing an East End Artists’ studio. “Energy Is True Wealth! Survival for all, not just the fittest, is now a fact!”

AND Julie Rafalski shares out the commonwealth pie. Ladies Of The Press subvert lifestyle magazines to sell you back to your Self. Sophie Herxheimer collects life stories. Janice Macaulay‘s treasure trove of thrifty tips. Julie-Rose Bower dismisses the CV. Four pull-out posters Smash Hits stylee. Orwell vs Osborne on a living wage, Salary Amnesty and more!


Where Are You?



Inside the venue, it’s hectic, a little ramshackle, with a DIY, handmade aesthetic. It’s as far as you can get from the white cube art gallery experience. Although the art world may be driven by money, you feel a little uncouth if you actually ask how much something is. Here the mechanics of making and spending money are in the foreground and in your face. You’re being asked to think about wealth and value, and how these are not objective facts but constructed ideas. – Anne Black & Katherine Dike, galleryELL

*Utopia or Oblivion, 2008, Lars Muller Publishers
Critical Path, 1981, St Martins Press
The World of Buckminster Fuller (DVD), Robert Snyder, 2010, Microcinema International
R. Buckminster Fuller, Everything I Know

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